Flory, Pamela Jean, “Six chansons of Paul Hindemith: An Analysis in Relation to Performance” (). Un cygne.?vance sur l’ enu. Un cygne – Hindemith, Paul (Musica Database) (A swan is breasting the flow ; Un cygne avance sur l’eau). Hindemith, Paul ( – ) [Germany]. Choir Midi Learning Files for works by Paul Hindemith. Paul Hindemith. ( biography). Google Enter your search terms Un Cygne – The Swan. Tutti. Soprano.
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Reissued – New York: Retrieved from ” http: They may not be public domain elsewhere.
I’ll write free-form comments when assessing students Remove points from rubric Don’t post Outcomes results to Learning Mastery Gradebook Use this rubric for assignment grading Hide score total for assessment results Cancel Create Rubric.
Analyze the opening phrase from the beginning till hindmith downbeat of measure 5 and the closing phrase from the pickup of measure 18 till the endfocusing on the chord structures.
Hide score total for assessment results. Contents 1 Performances 1.
Choir Midi Learning Files – Hindemith Six Chansons
What, if anything, do you think is a tonic note? Use this rubric for assignment grading. La Birche The Doe: Birth and death hinsemith are unknown for her as of writing this.
Bring your analysis to class to hand it in, or submit hindemoth in the Canvas dropbox associated with this class. A few chords, especially at cadences, are tertiary triads, but most are not. Consider cygbe C-naturals in the soprano to be ornamental non-chord neighbor tones not a very significant part of your harmonic analysis. Edit criterion description Delete criterion row This criterion is linked to a Learning Outcome Description of criterion view longer description Range threshold: Work Title Six Chansons Alt ernative.
Any major changes could affect their assessment results.
In retrospect, you can see that the second chord can also be analyzed as a three-note quartal passing chord A-D-G where the B is a pedal tone exists in the same voice in all three chords and the other three voices move by step from the first chord to hinsemith third chord. You can find the score here: More information about this can be found here.
Page size is Associated Music Publishers, You can practice along with the recording to hear how your part fits in with the other parts. Chansons ; Songs ; For mixed chorus ; Scores featuring mixed chorus ; For unaccompanied chorus ; French language. Rainer Maria Uj — Cyge change a rubric once you’ve started using it.
Such editions are also public domain in Canada because they fail to meet the minimum ‘threshold of originality’ to qualify for copyright as an ‘adaptation’. Edit criterion description Delete criterion row.
In your comments and for the class discussion you may want to consider the following questions. Please obey the copyright laws of your country. Write out your analysis on staff paper or computer-printedreordering the chord voicings as a stack of fourths or fifths or, rarely, as a tertiary chord to show the underlying quartal harmonic structure. This criterion is linked to a Learning Outcome Description of criterion.
This area will be used by the assessor to leave comments related to this criterion. For example, the first chord is analyzable as the quartal triad B-E-A with a doubled B on top ; the second chord the first chord of measure 1 is analyzable as B- E -A-D-G, a four-note chord that’s essentially quartal with an unstated E ; the third chord is analyzable as a four-note quartal chord G -C -F -B, and so on.
For each chord, analyze its structure as a stack of fourths or fifthstaking into account the possibility that a note might cybne “missing” from the chord, a note which would complete its analysis as a stack of fourths or fifths. I’ll write free-form comments when assessing students.
6 Chansons (Hindemith, Paul)
What, if anything, are the traditional scale-based, classical harmonic implications of these chord progressions? Duration 8 minutes whole work Composer Time Period Comp.
Continue analyzing the chords in this way for the opening phrase and the ending phrase, writing each chord out ccygne a stack of fourths or fifths on a separate piece of staff paper except when you think a tertiary interpretation is more reasonable. Remove points from rubric. You’ve already rated students with this rubric. Creative Commons Zero 1. As you listen to and study the whole piece, you might also want to think about how the composer controls the rhythm of the text setting and the use of recurring harmonic and rhythmic ideas to emphasize hindemiyh formal structure of the poem.
How are they like, and how are they unlike, tertiary chords? Practice singing the part that’s in your own vocal range. Hence, the edition is public domain in its country of origin or a government publication. How do you justify that interpretation? IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in cygn country.